Episode 127: Talk w/ Eric Gordon (Galactic)

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I'm Uncle Dad. 19 00:01:11,937 --> 00:01:15,617 With me as always is the ever so handsome, the Mardi Gras man himself, 20 00:01:16,037 --> 00:01:18,777 Mike Hampton. Mike, what is up? How are you? 21 00:01:19,177 --> 00:01:27,797 Hey, hello, hello, Mardi Gras man himself. So we'll be, I will be in a couple 22 00:01:27,797 --> 00:01:28,957 of weeks. I'll say that. Yes. 23 00:01:31,017 --> 00:01:35,777 Mike, you have a very special show today. We have a very special guest on and I'll let you do some. 24 00:01:35,917 --> 00:01:38,777 We haven't done this in a while where Mike, you take the keys, 25 00:01:38,977 --> 00:01:41,157 you know, I'll let you drive the car. 26 00:01:41,317 --> 00:01:43,757 You know, this car means a lot to me. So don't crash it. 27 00:01:48,197 --> 00:01:52,457 Well, well, I haven't had any drinks yet. So the odds are I will be okay. What? 28 00:01:53,224 --> 00:01:58,044 Well, good, good. I like that. I like that design. Mike, without further ado, 29 00:01:58,184 --> 00:02:00,224 I'm going to hand them over, introduce our guests. 30 00:02:00,424 --> 00:02:03,724 Our audience can see if we, just so everybody knows, we may release this as 31 00:02:03,724 --> 00:02:07,344 a video. And if we do, you will see the lovely man's face of our guests. 32 00:02:07,444 --> 00:02:12,024 And you'll also see Uncle Dad and Mike's face as well. Uh-oh. Yeah, right? 33 00:02:13,924 --> 00:02:19,104 So without further ado, Mike, take over and let's begin this journey down Mardi 34 00:02:19,104 --> 00:02:20,984 Gras lane. Michael Lane. 35 00:02:21,304 --> 00:02:24,504 Yeah. So I'm so stoked to have our guest on. 36 00:02:24,964 --> 00:02:30,904 I've been a fan of New Orleans jazz music, the culture, you know, 37 00:02:30,904 --> 00:02:38,404 for our listeners that don't know, that's my birthplace and have always felt so connected to it. 38 00:02:38,464 --> 00:02:44,344 And our guest today is a Grammy nominated trumpet player. 39 00:02:44,344 --> 00:02:49,944 He's a member of the billboard chart topping band galactic as well as the grammy 40 00:02:49,944 --> 00:02:55,764 award-winning rebirth brass band and who i saw recently at the treme hideaway 41 00:02:55,764 --> 00:02:57,304 with the big six brass band, 42 00:02:58,004 --> 00:03:03,044 eric gordon eric i i don't know how you have time for anything else but am i leaving anything else. 43 00:03:10,304 --> 00:03:15,144 That's right yes and you and you also i saw you have a you have a birthday coming 44 00:03:15,144 --> 00:03:20,384 up on february 4th which is also my mama's birthday so happy happy birthday 45 00:03:20,384 --> 00:03:25,144 to you my man whoa happy birthday Yeah. 46 00:03:27,424 --> 00:03:32,784 What a, what a time. I mean, you know, it's carnival time in, 47 00:03:32,804 --> 00:03:35,704 in, in Louisiana and New Orleans specifically, it's your birthday. 48 00:03:36,164 --> 00:03:41,524 And you know, one thing I wanted to say real quick here is I saw a video this 49 00:03:41,524 --> 00:03:46,604 morning that someone showed me where you got to play Louis Armstrong's trumpet. 50 00:03:48,084 --> 00:03:51,084 Last week. Yes. I was last week. 51 00:03:51,604 --> 00:03:56,284 We went to his house and we went to the archive. We said to the archive about 52 00:03:56,284 --> 00:03:58,524 two albums, the history of the U.S. arms race. 53 00:03:58,904 --> 00:04:03,464 And after we go, he's like, are there any trumpet players in the house? 54 00:04:03,904 --> 00:04:06,444 And they were on TV. Let me blow on the floor. 55 00:04:07,259 --> 00:04:11,459 You know, which is an amazing experience, simply based on the fact that, 56 00:04:11,479 --> 00:04:16,499 you know, you don't really, as a trumpet player, he is like the trumpet player of all trumpeters. 57 00:04:17,059 --> 00:04:21,619 You know, he pioneered so much in the music. Like I said, we spent two hours 58 00:04:21,619 --> 00:04:23,899 just learning about the history of those. 59 00:04:24,499 --> 00:04:28,179 And as a trumpet player, you never expect to play his horns. 60 00:04:28,279 --> 00:04:31,959 Like, that in itself was an experience. 61 00:04:32,599 --> 00:04:36,079 You know, some things you just don't think are possible. 62 00:04:36,079 --> 00:04:39,239 You know like to play those instruments his 63 00:04:39,239 --> 00:04:42,079 instruments the ones he actually played on hello 64 00:04:42,079 --> 00:04:45,159 darling and what a wonderful world it's like 65 00:04:45,159 --> 00:04:49,859 what more of an honor yeah i gotta say that's like that's got to be for you 66 00:04:49,859 --> 00:04:54,439 like a spiritual experience almost right like you know like holding that and 67 00:04:54,439 --> 00:05:00,699 blowing and doing what you do all the time on you know one of like the if not 68 00:05:00,699 --> 00:05:04,519 the greatest trumpet player of all time, you know, right? 69 00:05:04,659 --> 00:05:06,839 So congratulations on that, man. 70 00:05:07,319 --> 00:05:13,699 I imagine the emotions running through you were pretty special. 71 00:05:14,079 --> 00:05:19,819 Yeah, it was definitely a moment because, like I said, I would have never even 72 00:05:19,819 --> 00:05:23,919 thought that was possible in a lifetime, you know, to play on that instrument 73 00:05:23,919 --> 00:05:25,679 that he actually played on, you know. 74 00:05:25,679 --> 00:05:30,039 So I thought it would be behind some glass mural that you can't even touch it. 75 00:05:30,139 --> 00:05:32,239 And here I am playing on the trumpet. 76 00:05:32,579 --> 00:05:37,079 I played, and the crazy part, I played for 10, 20, 30,000 people. 77 00:05:37,439 --> 00:05:40,599 And that was with 20 or 30 people. 78 00:05:40,759 --> 00:05:47,399 That was the most nervous I have ever been just simply that I was playing on that horn. Yeah. 79 00:05:48,264 --> 00:05:51,384 Don't, don't mess up. Don't mess it up. 80 00:05:55,164 --> 00:05:58,944 Right on. Well, that's, man, that's, that's, that's awesome. 81 00:05:59,104 --> 00:06:00,684 And again, congratulations. 82 00:06:01,064 --> 00:06:04,164 And, you know, one of the things, you know, you mentioned, you know, 83 00:06:04,164 --> 00:06:07,084 the golden Comanches and the Mardi Gras Indians. 84 00:06:07,264 --> 00:06:11,744 And this is something that, you know, I've been to Mardi Gras a few times, 85 00:06:11,864 --> 00:06:16,284 more as a kid in Lafayette than in New Orleans as an adult. 86 00:06:16,804 --> 00:06:23,084 And it's one of those things that I know some about, but I feel like I want to know more. 87 00:06:23,184 --> 00:06:27,684 I think I mentioned to you when we talked before, I've got Cherokee in my heritage 88 00:06:27,684 --> 00:06:31,144 and I'm just always feel called to that part of me. 89 00:06:32,044 --> 00:06:37,944 And it's so interesting to me that this tradition still carries on in the way that it does. 90 00:06:38,084 --> 00:06:42,144 And I see you have your suit and hopefully we get to put the video of this out. 91 00:06:42,204 --> 00:06:48,304 But Eric has his suit that he's been working on all year, right behind him. And it's beautiful. 92 00:06:48,864 --> 00:06:53,304 And, you know, one of the things that you told me that you did recently was 93 00:06:53,304 --> 00:06:56,124 you played a tribute in Congo Square. 94 00:06:56,584 --> 00:07:01,964 And for those that don't know, you know, Congo Square is a place in New Orleans 95 00:07:01,964 --> 00:07:06,904 where where the Homa Indians used to live, and it was like a sacred ground. 96 00:07:07,164 --> 00:07:08,804 And correct me if I'm wrong in any of this. 97 00:07:09,104 --> 00:07:13,644 It also was like a marketplace for enslaved Africans, which, 98 00:07:13,744 --> 00:07:18,064 you know, a lot of like the second line and Mardi Gras traditions kind of grew from there. 99 00:07:18,544 --> 00:07:24,684 And there's a statue of the chief, Tutti Montana, right? I'm saying all that. 100 00:07:25,424 --> 00:07:29,764 And so you play a tribute there every year? What does that place mean to you 101 00:07:29,764 --> 00:07:30,564 specifically? specifically? 102 00:07:31,024 --> 00:07:36,404 Oh, Congo Square, like you said, it's in the Tremaine neighborhood, 103 00:07:36,724 --> 00:07:40,624 which is the oldest African-American neighborhood in America. 104 00:07:41,664 --> 00:07:46,784 And Congo Square is where, like you said, the slaves, during slavery and after 105 00:07:46,784 --> 00:07:49,024 slavery, on Sundays we would get to meet. 106 00:07:49,924 --> 00:07:55,164 So during the slavery days, we got to practice the vision of an ancestral history. 107 00:07:55,724 --> 00:07:58,124 So, the Mardi Gras Indian Group came up with the idea. 108 00:07:59,224 --> 00:08:05,664 Later on, it was a marketplace. On Sundays, there was always a tribute of something 109 00:08:05,664 --> 00:08:09,844 going on, because we had our freedom down in New Orleans on Sundays in the New Orleans. 110 00:08:10,844 --> 00:08:15,244 Condo Square pretty much is all of the culture, all the city. 111 00:08:15,824 --> 00:08:18,464 So, no matter what part that you want, the direction you want to go, 112 00:08:18,524 --> 00:08:23,184 or where you want to go, that's going to be your place. because that's where Fruity Montana was. 113 00:08:23,584 --> 00:08:29,224 During the slavery days, we weren't able to, I guess, show our own roots. 114 00:08:29,344 --> 00:08:37,344 So we had to mask to pay respect to those who came before us, our ancestors. 115 00:08:38,389 --> 00:08:43,189 And with that, Tongo Square still has a lot of the history in that location down in New Orleans. 116 00:08:43,749 --> 00:08:47,389 Like I said, and also the brass bands were able to practice all the time. 117 00:08:47,709 --> 00:08:52,649 It was also a market place. Tongo Square is pretty much the center of all history 118 00:08:52,649 --> 00:08:54,729 of African American coming from New Orleans. 119 00:08:55,449 --> 00:09:00,089 Back to the Indians, I want to say, there was a bunch of tribes. 120 00:09:00,709 --> 00:09:04,909 Indians ran away. African, I'm sorry, the slaves, when we ran away, 121 00:09:05,089 --> 00:09:07,209 we were running away to reservations. reservations. 122 00:09:07,629 --> 00:09:11,189 So a lot of different reservations would take in the slaves, 123 00:09:11,409 --> 00:09:14,589 you know, whether it's the Cherokee, the Seminole, the Homer, 124 00:09:14,809 --> 00:09:19,609 the Natchez, the Tonica, the, uh, it's so many of them. 125 00:09:19,649 --> 00:09:23,289 The Seminole, which I have Seminole in my bloodline, you know, 126 00:09:23,289 --> 00:09:28,629 it's a little bit away, but, but yeah, uh, so when they took us in, 127 00:09:28,769 --> 00:09:31,149 it would be a safety net for us. 128 00:09:31,269 --> 00:09:34,489 So that's when we get all these people like the Cajuns and the Creoles, 129 00:09:34,589 --> 00:09:39,129 these mixed bloodlines from those African and Indian roots. 130 00:09:39,809 --> 00:09:43,789 And from there, like I say, we pay homage to those who escaped and, 131 00:09:43,869 --> 00:09:47,029 you know, found a better life and came back to free others. 132 00:09:47,469 --> 00:09:53,269 So even until today, we always sew these hand sewn suits with thousands and 133 00:09:53,269 --> 00:09:56,769 thousands of beads and we always try to tell a story, you know, 134 00:09:56,809 --> 00:10:00,449 about the history because there's so much history in the world. 135 00:10:00,549 --> 00:10:05,469 Like you sit down and you just walk through the, even just Just the front quarter, like the LaRue House. 136 00:10:06,629 --> 00:10:11,229 I've done a story of the Nat Turner Revolt before. I've done a slave ship where 137 00:10:11,229 --> 00:10:14,309 the Indians and the slaves were escaping off the slave ship. 138 00:10:14,389 --> 00:10:18,029 I've done a peace pipe of the slaves and the Africans sitting together, 139 00:10:18,429 --> 00:10:21,869 you know, sitting around a campfire, smoking a peace pipe. 140 00:10:22,189 --> 00:10:25,929 Every year, I try to do a suit to tribute those who came before us. 141 00:10:26,229 --> 00:10:30,029 Even if you're really different, I'll show you on this suit here. 142 00:10:30,029 --> 00:10:35,669 Here, I have this Louisiana, and it's beaded with a, I'll start over here first. 143 00:10:36,049 --> 00:10:41,009 When we were slaves, my count was backwards, but 1718, we were slaves, 144 00:10:41,189 --> 00:10:43,209 and I have the chain across Louisiana. 145 00:10:43,389 --> 00:10:49,249 But on the opposite side of the suit, I have the chain broken in 1865, 146 00:10:49,369 --> 00:10:50,829 you know, and it says free. 147 00:10:51,249 --> 00:10:56,109 You know, that kind of symbolizes freedom. Of course, we all know slavery was 148 00:10:56,109 --> 00:10:59,209 signed to be free a little before 1865. 149 00:10:59,209 --> 00:11:04,009 But, true to Texas, you know, Juneteenth, the guys in Texas never received that 150 00:11:04,009 --> 00:11:08,869 until 1865 So we always include the last of the people But in Louisiana, 151 00:11:08,989 --> 00:11:10,429 we were free a little before that. 152 00:11:11,437 --> 00:11:15,037 And that's, you know, that's like the short, short and out version of the mighty 153 00:11:15,037 --> 00:11:18,057 grail, you know, we could do that for hours. 154 00:11:18,757 --> 00:11:23,657 Oh, yeah. I want to come back to it a little more, too, as we as we go on. 155 00:11:24,297 --> 00:11:32,177 And, you know, and I love that you love the history and you take this and you really own it. 156 00:11:32,197 --> 00:11:35,657 Like, I could tell, you know, we could tell it's really special to you. 157 00:11:35,717 --> 00:11:42,137 Right. Like, and, and I take in new Orleans specifically is, is very special to you. 158 00:11:42,637 --> 00:11:45,597 Am I right? Like that's home, right? Yeah. 159 00:11:45,837 --> 00:11:51,597 And so you, you lost, you lost a lot after Katrina, right? 160 00:11:51,677 --> 00:11:55,997 Like you lost your equipment and you had to move out of state. Am I right? Right. 161 00:11:56,497 --> 00:12:00,917 Right. And so, so, so how important was that for you to, to, 162 00:12:00,977 --> 00:12:05,357 to come back to new Orleans and, and like to get back into the music? 163 00:12:06,117 --> 00:12:08,917 Uh it was it was that that was 164 00:12:08,917 --> 00:12:12,617 pretty much a turning point in my show and bringing back 165 00:12:12,617 --> 00:12:15,517 New Orleans definitely based off of all right Katrina 166 00:12:15,517 --> 00:12:21,177 hit in August of 2005 uh we went to Houston you know we stayed there for actually 167 00:12:21,177 --> 00:12:27,317 I'm left in a year due to there was a loophole not really a good loophole but 168 00:12:27,317 --> 00:12:33,577 our my family's home it flooded we got about five feet or five and a half feet of Ward, 169 00:12:33,697 --> 00:12:36,497 which is my home, and our house in New Orleans East. 170 00:12:36,977 --> 00:12:41,517 So that house was totally ruined, but my grandmother had a house over in the 171 00:12:41,517 --> 00:12:45,237 community neighborhood, which is still there, on a black and blue digital record line. 172 00:12:45,877 --> 00:12:51,697 And that house sat up maybe about five feet off the ground. So we moved back 173 00:12:51,697 --> 00:12:53,657 around the summer of 2006. 174 00:12:54,277 --> 00:12:58,757 And when we moved back, the music really brought the city back to life, 175 00:12:58,777 --> 00:13:01,537 because when we moved back, of course, everybody wanted to get back home, 176 00:13:01,597 --> 00:13:05,797 but if anybody who was here, they can tell New Orleans was a ghost town. 177 00:13:06,594 --> 00:13:09,914 From 2006 to 2000, I want to say nine. 178 00:13:10,814 --> 00:13:15,494 So people literally came for the music. Like, I would be out there in the first 179 00:13:15,494 --> 00:13:20,214 quarters with the brass bands, and every night, you know, we would stay out all the time tonight. 180 00:13:20,334 --> 00:13:23,234 Like, some days we would go out at 8 in the morning and play until 12. 181 00:13:23,434 --> 00:13:26,394 Sometimes it would be 4 p.m. until, you know, 9 p.m. 182 00:13:26,754 --> 00:13:31,054 Some days it was so empty. Some days we would get up at 2 in the morning and say, what y'all doing? 183 00:13:31,634 --> 00:13:34,994 And everybody would go on Bird in the Canal or on Fritzman. 184 00:13:34,994 --> 00:13:37,854 And you know we'll play music like 2am to 185 00:13:37,854 --> 00:13:41,354 like 5am just because everybody who's 186 00:13:41,354 --> 00:13:44,714 in the city was in the city so you know so 187 00:13:44,714 --> 00:13:47,554 uh the music kind of really brought the city back to life 188 00:13:47,554 --> 00:13:51,014 you know you think about the Katrina days and so 189 00:13:51,014 --> 00:13:54,034 many parts didn't have like in power you know 190 00:13:54,034 --> 00:13:57,314 you saw 2006 it's 2024 and 191 00:13:57,314 --> 00:14:00,274 the lower ninth wall and some parts of the east are still devastated 192 00:14:00,274 --> 00:14:04,074 so imagine 2006 like this 193 00:14:04,074 --> 00:14:07,494 part of the city you didn't even want to go to because like the 194 00:14:07,494 --> 00:14:10,354 night war you know because it 195 00:14:10,354 --> 00:14:14,214 was dark you know you don't know who's who they still had the military here 196 00:14:14,214 --> 00:14:20,374 you know trying to you know enforce certain things but the spirit never left 197 00:14:20,374 --> 00:14:25,534 the water and it was something about the music no matter what when people seen 198 00:14:25,534 --> 00:14:27,614 a horn at that point in time in 2006, 199 00:14:28,054 --> 00:14:32,434 2007, 2008, it brought life to people. It made everybody happy, you know. 200 00:14:32,754 --> 00:14:38,034 And you could feel it because outside of that moment of us playing music. 201 00:14:38,614 --> 00:14:41,274 We were pretty much going back to destroyed neighborhoods. 202 00:14:41,834 --> 00:14:44,894 Because no matter where we stayed, the neighborhood was destroyed. 203 00:14:45,554 --> 00:14:49,114 Like I said, it's remaining one at that point in time. And, you know, 204 00:14:49,174 --> 00:14:51,674 the lights were breaking down, you know. 205 00:14:52,496 --> 00:14:55,956 Random power outages, you know, a lot of schools are still closed. 206 00:14:56,556 --> 00:15:01,776 So, like, music in that time, it definitely played a big part in bringing the city back. 207 00:15:02,276 --> 00:15:06,316 Like I said, it was only, at that point in time, it was only about three brass bands in the city. 208 00:15:06,456 --> 00:15:12,016 You know, I want to say the Truth Brass Band, the Free Asian, and 2B Continuum Brass. 209 00:15:13,456 --> 00:15:18,476 Yeah, and you've played with a lot of different, a lot of different, these bands, right? 210 00:15:18,476 --> 00:15:23,896 Right. And, and what's the biggest challenge when you're trying to play with 211 00:15:23,896 --> 00:15:27,576 a, with a group of guys, you know, is it, is it, you know, obviously this is, 212 00:15:27,576 --> 00:15:31,696 and now I'm talking about like way after Katrina, is it hard? 213 00:15:31,816 --> 00:15:35,576 Is it, is there too many distractions in new Orleans to keep a band together? 214 00:15:35,736 --> 00:15:40,036 Like when you're playing with a bunch of guys, you know, especially when you're 215 00:15:40,036 --> 00:15:42,976 out at, you know, the clubs and you're on the streets and, and, 216 00:15:42,976 --> 00:15:46,656 you know, I know you guys got to rehearse too. Like what's the biggest challenge there? 217 00:15:47,836 --> 00:15:53,276 The biggest challenge, I won't, no. Because the music brings us together. 218 00:15:53,936 --> 00:15:59,556 This was probably the hardest part. Because I had to play the gig and make money, you know? 219 00:16:00,336 --> 00:16:05,316 Yeah, yeah, yeah, yeah. Every band is always one thing or another. 220 00:16:05,516 --> 00:16:08,656 You know, you always have to deal with everyone's circumstances. 221 00:16:08,676 --> 00:16:12,396 You know, everybody's different. Everybody's coming to enjoy and read. 222 00:16:13,490 --> 00:16:21,090 This guy smokes a lot of weed, this guy drinks a lot of alcohol, that's his problem. 223 00:16:21,190 --> 00:16:26,950 But sometimes problems are this guy has a lot of girlfriends and all his girlfriends 224 00:16:26,950 --> 00:16:30,410 show up to the gig and you know it's always you deal with situations, 225 00:16:30,770 --> 00:16:33,650 all day come you know but the music will 226 00:16:33,650 --> 00:16:36,990 always keep us together you know even guys get 227 00:16:36,990 --> 00:16:40,430 into physical applications you know but if the 228 00:16:40,430 --> 00:16:43,910 music is strong long enough if you are as passionate 229 00:16:43,910 --> 00:16:46,710 as the next person it'll bring you together like you know 230 00:16:46,710 --> 00:16:50,490 something simple is not putting the right notes sometimes when you 231 00:16:50,490 --> 00:16:54,630 want to have something tight and be genuinely good you know you have a certain 232 00:16:54,630 --> 00:16:59,010 passion about it you know what you know that's everything across the board like 233 00:16:59,010 --> 00:17:03,590 you want to have the perfection with it not to be perfect but to get your best 234 00:17:03,590 --> 00:17:09,930 every time so a lot of friends you know they they focus on you know doing their best. 235 00:17:10,370 --> 00:17:13,490 Everything and i can say every band is different you know some bands 236 00:17:13,490 --> 00:17:16,450 have a lot of women come around some bands do 237 00:17:16,450 --> 00:17:19,550 a lot of partying it's just things alone you 238 00:17:19,550 --> 00:17:23,130 know as long as you're passionate about community because i 239 00:17:23,130 --> 00:17:25,930 can't say any group was more 240 00:17:25,930 --> 00:17:29,110 passionate than the other it's just the individuals 241 00:17:29,110 --> 00:17:31,710 change you know it's like what clothes are you going to 242 00:17:31,710 --> 00:17:34,830 wear today you might hang out with a certain set of friends because they wear 243 00:17:34,830 --> 00:17:38,070 joggers or this set of friends who wear suits all all 244 00:17:38,070 --> 00:17:40,790 the time you know it's just about what you like and 245 00:17:40,790 --> 00:17:44,690 what you like so yeah well speaking 246 00:17:44,690 --> 00:17:47,890 of bands let's talk about galactic you know 247 00:17:47,890 --> 00:17:50,530 how does that happen do they do they call you do you 248 00:17:50,530 --> 00:17:56,570 audition like what how do you get with with a band like that manifestation yeah 249 00:17:56,570 --> 00:18:03,570 hey i'm into it i'm into that yes let's hear it yeah i heard about galactic 250 00:18:03,570 --> 00:18:07,930 i want to say maybe around 2007 out in 7th, 8th, 6th, and 7th. 251 00:18:08,350 --> 00:18:11,030 From that point, I was always interested in black. 252 00:18:11,906 --> 00:18:16,906 So, years and years down the road, 2019, 2019, I want to say, 253 00:18:17,586 --> 00:18:20,346 Shamar Allen, which is the trumpet player for the Lakers, you know, 254 00:18:20,406 --> 00:18:24,066 real popular figure in the world of trumpet playing, a good friend of mine, 255 00:18:24,166 --> 00:18:27,506 you know, and he called me up and said, I have a gig for you. 256 00:18:28,066 --> 00:18:32,006 Because he was getting ready to go solo. And at that point in time, 257 00:18:32,186 --> 00:18:33,626 I was the best fit for the band. 258 00:18:34,326 --> 00:18:38,246 Got into the band, you know, started learning the music and realized it was 259 00:18:38,246 --> 00:18:40,146 a tight shift. I had to really learn the music. 260 00:18:43,366 --> 00:18:48,066 But the guys were very embracing, they always embraced me you know, 261 00:18:48,126 --> 00:18:51,366 I'd still get nervous for the first couple of years I would get nervous all 262 00:18:51,366 --> 00:18:56,406 sorts of things, I never was in a touring band, I always you know, did a tour maybe, 263 00:18:56,926 --> 00:19:01,506 a week or so, two weeks but to be in a touring band is a different thing, 264 00:19:01,566 --> 00:19:06,346 you know, to have everything tight, and at that point in time the guy had just got to patina, 265 00:19:06,946 --> 00:19:09,566 so that whole galactic experience has been been amazing. 266 00:19:09,886 --> 00:19:13,926 I was active out with the Galactic when I played on Louis Armstrong's trumpet. 267 00:19:14,226 --> 00:19:18,306 And those guys always embraced me and pushed me to be better. 268 00:19:18,706 --> 00:19:23,126 So the whole Galactic thing is kind of like one of the best experiences with 269 00:19:23,126 --> 00:19:25,466 a band that I've ever dealt with. 270 00:19:25,686 --> 00:19:30,486 And that's it. Outside of just being good guys, I was in great business with. 271 00:19:31,315 --> 00:19:35,515 You know, so I learned a lot from him. You know, just learned how to be better 272 00:19:35,515 --> 00:19:37,195 at doing things that make more sense. 273 00:19:37,895 --> 00:19:41,355 Building my own brand, because up until I got with the Lashley, 274 00:19:41,395 --> 00:19:45,195 I was more of just a good or great brass band musician. 275 00:19:45,315 --> 00:19:48,615 But they kind of taught me, you know, what's going to make you different? 276 00:19:49,315 --> 00:19:52,515 And the great drummer Stan Moore said to me now, he was like, okay. 277 00:19:53,095 --> 00:19:56,755 He named a couple of trumpet players that were like iconic. And he said something, 278 00:19:56,895 --> 00:19:58,255 but these guys are playing here. 279 00:19:59,075 --> 00:20:04,035 What's going to make you different from those guys? to make your brand better 280 00:20:04,035 --> 00:20:08,475 and it's just simple talk like that can make you open your eyes and all of the 281 00:20:08,475 --> 00:20:11,155 guys always embrace me and always try to push me to, 282 00:20:11,795 --> 00:20:16,635 what's going to be the Eric Gordon what is Eric Gordon going to bring so that 283 00:20:16,635 --> 00:20:20,935 translates across everything I do whether it's Indians to Indians to the clan, 284 00:20:21,695 --> 00:20:24,535 because like my first skiing experience you don't have snow 285 00:20:24,535 --> 00:20:27,415 in the water was with the guys they were like hey you should go skiing 286 00:20:27,415 --> 00:20:30,495 and I'm like uh they're like try it and 287 00:20:30,495 --> 00:20:34,295 i'm like i'll try it so yeah just 288 00:20:34,295 --> 00:20:37,635 like dealing with the guys in the life is always push for 289 00:20:37,635 --> 00:20:41,655 something different or push for something new push for something better like 290 00:20:41,655 --> 00:20:46,415 even them with going into tipatina they would have never thought they was going 291 00:20:46,415 --> 00:20:53,655 to be the guys to buy tipatina and when it happened it was great but then the 292 00:20:53,655 --> 00:20:56,335 pandemic happened So I watched those guys, 293 00:20:56,415 --> 00:21:01,395 you know, brainstorm and they brought me to brainstorm and just work on music, 294 00:21:01,395 --> 00:21:06,595 on ideas, different things to get through, you know, because the pandemic was rough. 295 00:21:06,695 --> 00:21:10,275 They had just purchased a club that was in the negative. 296 00:21:11,015 --> 00:21:13,655 They had to close it down for a year. 297 00:21:14,635 --> 00:21:17,235 So just learning how to work through your problems, the guys would be like, 298 00:21:17,315 --> 00:21:18,275 you know, they're amazing. 299 00:21:18,975 --> 00:21:23,835 The great guys. And anytime you're around, these guys embrace you like family. 300 00:21:24,535 --> 00:21:28,815 Yeah. You know, real quick, just to give you a second on that, 301 00:21:28,855 --> 00:21:32,515 man, like, even if it's not something that you may continue to do, 302 00:21:32,555 --> 00:21:34,315 like, you may not go skiing ever again, 303 00:21:34,475 --> 00:21:39,735 or you might, but just trying those new things, I think, help your brain expand 304 00:21:39,735 --> 00:21:43,115 to trying new things within the stuff that you already do, right? 305 00:21:43,215 --> 00:21:49,095 Like, it just helps wire your brain in that way to think, which allows for you 306 00:21:49,095 --> 00:21:51,935 to grow as a musician, especially within a band. 307 00:21:51,935 --> 00:21:58,235 And also, can we please give a shout out to Shamar Allen for Hit the Sean Payton 308 00:21:58,235 --> 00:22:00,475 and why we never hear that. 309 00:22:00,575 --> 00:22:05,195 Hit the Sean Payton is my favorite Saints jam ever. 310 00:22:06,995 --> 00:22:11,795 Why didn't you complain? Hit the Sean Payton. Yeah, anyways. 311 00:22:12,035 --> 00:22:16,475 We're always so behind our strengths, though. Big Father figured out the Sean Payton was back there. 312 00:22:17,695 --> 00:22:23,975 So I'm going to play this song for you guys. Yeah, no kidding, man. Well, yeah. 313 00:22:24,315 --> 00:22:30,215 So like, yeah, Galactic Bot tips in 2018, like you said, and I've seen you guys 314 00:22:30,215 --> 00:22:33,795 play a couple of times there, like a New Year's Eve show. 315 00:22:34,275 --> 00:22:36,935 And they're amazing there. The shows in that place are amazing. 316 00:22:37,275 --> 00:22:40,215 I've seen you guys at the Warfield and SF. 317 00:22:40,375 --> 00:22:46,935 I've seen you play in Berkeley at the Greek. What are your top three favorite 318 00:22:46,935 --> 00:22:48,995 venues that you've played in? 319 00:22:51,735 --> 00:22:54,875 What are three that come to mind when I say that? 320 00:22:56,235 --> 00:23:06,235 I would say the Fillmore in San Francisco, 930 Club in D.C. 321 00:23:08,735 --> 00:23:12,635 And here with the Tiff Latinas. You got to give Tiff Latinas. Yeah, Tiff's got me. 322 00:23:12,855 --> 00:23:19,555 I will say my favorite, though, would have to be the 930 Club. 323 00:23:21,095 --> 00:23:24,675 930 Club? Yeah, it's an illusion. I love it. It's an illusion. 324 00:23:24,855 --> 00:23:27,715 So, with the 930 Club, they have a moving stage. 325 00:23:28,455 --> 00:23:32,175 So, if it's a sold-out crowd, they'll push the stage all the way back. 326 00:23:33,135 --> 00:23:37,595 But, if the crowd is light, and this is for anybody, if the crowd is kind of 327 00:23:37,595 --> 00:23:41,315 light, they'll move the stage up and be a part of the ticket sales. 328 00:23:41,935 --> 00:23:43,555 So it's always a penthouse. 329 00:23:44,695 --> 00:23:49,815 Oh, that's great. That's clever. Yeah. I think more and more venues should adopt 330 00:23:49,815 --> 00:23:54,975 that system because, you know, I mean, as a musician, like, you don't always, 331 00:23:55,095 --> 00:23:57,715 it's not your responsibility to get people in there. 332 00:23:57,815 --> 00:24:00,995 And, you know, if you're in a place and it's half empty, like, 333 00:24:01,015 --> 00:24:02,935 you still got to do what you got to do. 334 00:24:02,975 --> 00:24:06,295 But it's a lot easier to jam when everybody's packed together. 335 00:24:06,655 --> 00:24:11,615 And yeah, yeah. Yeah. You can definitely find more people that. 336 00:24:12,500 --> 00:24:19,520 You know, I love that, you know, we always do two nights over there and it's 337 00:24:19,520 --> 00:24:22,920 like there's something changing here because it's a huge building. 338 00:24:23,140 --> 00:24:29,460 So it's maybe I want to say two to three times the size of Tipitina. 339 00:24:29,880 --> 00:24:36,300 So it's a huge building. It's amazing. amazing yeah uh yeah i was i was reading 340 00:24:36,300 --> 00:24:41,080 some of the history of tipitinas and how they uh upstairs used to be apartments 341 00:24:41,080 --> 00:24:43,660 and they would there was a radio station that, 342 00:24:44,320 --> 00:24:47,520 wwz was up there and they would they would put 343 00:24:47,520 --> 00:24:50,740 a microphone through a hole in the in the floor and record 344 00:24:50,740 --> 00:24:55,320 live broadcast of the shows while while uh the shows were going on downstairs 345 00:24:55,320 --> 00:25:00,940 stairs it's such a i i love that place and speaking of tips on mardi gras day 346 00:25:00,940 --> 00:25:04,340 which which this year is on february 347 00:25:04,340 --> 00:25:09,500 13th you'll be starting off your day real early coming out of tips, 348 00:25:10,280 --> 00:25:15,200 to do as a member of you know as with the golden comanches and and and starting 349 00:25:15,200 --> 00:25:21,680 that so so take take us through that that the the hours before and that time 350 00:25:21,680 --> 00:25:25,120 when you come out and and start like How does that all work? 351 00:25:25,760 --> 00:25:32,620 I'll say this. For the past few years, those two days have been the longest two days of my life. 352 00:25:34,000 --> 00:25:39,420 Since that was the last year. I didn't manage 2019, the whole track show. 353 00:25:39,560 --> 00:25:45,360 But in 2020 on until last year, as a Mardi Gras Indian, your suits never finish 354 00:25:45,360 --> 00:25:47,760 until you absolutely have to go out the door. 355 00:25:47,760 --> 00:25:50,800 So that last 48 356 00:25:50,800 --> 00:25:53,980 hours you're just sewing and hooking up and and making adjustments 357 00:25:53,980 --> 00:25:59,280 and making sure your suit doesn't fall apart well the last few years galactic 358 00:25:59,280 --> 00:26:05,400 does a london garage show so literally i will bring my suit to tippertina at 359 00:26:05,400 --> 00:26:11,620 11 45 get on stage from 12 a.m to 6 a.m. 360 00:26:12,501 --> 00:26:18,541 Literally get off stage and put my suit on and walk the rest of Mighty Grime Day. 361 00:26:18,701 --> 00:26:21,381 So I literally didn't go to sleep for that whole $40. 362 00:26:22,041 --> 00:26:26,721 How does a guy do that? I would be working on my suit all day, 363 00:26:26,781 --> 00:26:27,861 trying to get it done, trying to get it done. 364 00:26:28,021 --> 00:26:31,801 Literally go to Simplatina, jump around on stage, do a great show, 365 00:26:31,981 --> 00:26:35,721 12 to about 6, and get off stage, tired. 366 00:26:36,301 --> 00:26:40,701 But it's Mighty Grime. And once that sun hits, it's time to go out the door. 367 00:26:40,701 --> 00:26:46,721 So we always out the door you know roughly about seven eight like i said we 368 00:26:46,721 --> 00:26:51,501 stood up around six seven eight o'clock we're all in the street last year started 369 00:26:51,501 --> 00:26:57,381 a new thing where my big chief won part of the early morning show so now he's 370 00:26:57,381 --> 00:27:00,621 doing finally so i think six or six thirty, 371 00:27:01,241 --> 00:27:04,341 so uh this year is going to be the first he's going to be new we're going to, 372 00:27:04,901 --> 00:27:09,401 actually have the whole tribe outside in front ready waiting on him so when 373 00:27:09,401 --> 00:27:14,641 he finishes his set In his last year's suit, he's going to change and put the 374 00:27:14,641 --> 00:27:18,961 new suit on and come outside and sing in his brand new suit. 375 00:27:19,481 --> 00:27:23,481 So we'll be outside waiting on him to get ready. And the whole thing is going 376 00:27:23,481 --> 00:27:27,441 to modify to him, you know? He's going to sing in the old suit. 377 00:27:27,641 --> 00:27:33,621 Just to clarify, he's going to sing in the old suit inside and then come out in the new suit outside. 378 00:27:34,801 --> 00:27:41,001 Yeah, yeah. And then do the... because he as an Indian as a chief he has to 379 00:27:41,001 --> 00:27:47,141 bless all of the suits so until he sings Indian Red which is our traditional Indian song, 380 00:27:47,901 --> 00:27:49,921 you don't really put the new suit on, 381 00:27:50,741 --> 00:27:56,801 not the big chief at least so he's going to wait and sing this whole set in 382 00:27:56,801 --> 00:28:01,441 his old suit because the old suit is elaborate and beautiful and as a part of 383 00:28:01,441 --> 00:28:05,541 the master you have to build a better suit every year so imagine Imagine you 384 00:28:05,541 --> 00:28:10,121 watching him in his amazing big suit on the landing ground, 385 00:28:10,141 --> 00:28:14,681 really mighty ground boiling from 5 to 6 a.m., and then he gets off stage, 386 00:28:14,741 --> 00:28:17,341 and now it's time to see the new suit, 387 00:28:18,298 --> 00:28:23,218 So we'll be outside as a spy boy and a wild man. All of us can be outside early. 388 00:28:23,458 --> 00:28:26,018 We just don't go anywhere until our chief tells us. 389 00:28:26,278 --> 00:28:28,618 So we'll be sitting there waiting on our chief to get ready. 390 00:28:28,798 --> 00:28:33,838 And when the chief says, say Indian Red, which is our traditional prayer, it's showtime. 391 00:28:34,478 --> 00:28:38,018 And in that neighborhood, we come out of Tipitina, from Tipitina, 392 00:28:38,178 --> 00:28:41,158 we're going to go with the wild capuchins, Indian tribe. 393 00:28:41,458 --> 00:28:44,218 There's, you know, the criminal wild west, the golden blade, 394 00:28:44,738 --> 00:28:46,318 you know, the beautiful criminal past. 395 00:28:46,438 --> 00:28:50,358 We're going to start meeting these tribes. But we have to sing Indian Red with 396 00:28:50,358 --> 00:28:54,078 the blessings of the big chief, Almighty God. Wow. 397 00:28:55,458 --> 00:29:01,818 Of the golden command. Right. And so when you guys, okay, so I have a couple of questions. 398 00:29:02,078 --> 00:29:05,378 So what are you guys doing while you're waiting outside? Are you sitting, 399 00:29:05,458 --> 00:29:07,678 are you standing, are you drinking coffee? 400 00:29:08,398 --> 00:29:14,418 Are you just, you know, BS and with each other or like, what are you guys doing out there? 401 00:29:15,338 --> 00:29:18,758 It's almost, It's actually very tribal 402 00:29:18,758 --> 00:29:24,538 It's like we're conjuring up the spirit At that point in time Because we waited 403 00:29:24,538 --> 00:29:29,438 These suits take a year to make And we waited all year to put these suits on 404 00:29:29,438 --> 00:29:35,518 Like all these beads So as we're waiting We're conjuring up spirit We're singing, 405 00:29:35,558 --> 00:29:45,138 chanting Early in the morning On the shallow water And we're And this whole 406 00:29:45,138 --> 00:29:49,758 time we just conjuring up these spirits and that's pretty much what we're doing 407 00:29:49,758 --> 00:29:52,758 you know that whole time because my idea is, 408 00:29:53,878 --> 00:30:00,338 it's kind of hard to explain it's by a massive we are not ourselves like I'm 409 00:30:00,338 --> 00:30:04,598 not the Chuck and Claire or Miley Grimes just like I am a spirit. 410 00:30:06,163 --> 00:30:11,383 So I'm paying respect to those there. So you see me, but I'm a different person. 411 00:30:11,523 --> 00:30:16,443 So that entire time on Miley Grubb, we're masking. We're kindling up these spirits 412 00:30:16,443 --> 00:30:25,803 of these gods and ancestors, like the god Shango of thunder and ocean and all of these Greek gods. 413 00:30:26,063 --> 00:30:28,403 And, you know, we kind of, everything reaches. 414 00:30:29,003 --> 00:30:33,543 So that whole time with all time, it's us, but it's not us. 415 00:30:33,543 --> 00:30:37,843 We have the drums going the tambourines going we're chanting, 416 00:30:38,163 --> 00:30:42,003 we're screaming you know, whatever your spirit feels, 417 00:30:42,083 --> 00:30:47,103 we're running up and down the street so it's definitely something to experience 418 00:30:47,103 --> 00:30:55,183 it's hard to explain but it's something that if you see it you will understand it. 419 00:30:55,783 --> 00:30:59,103 It's almost a kind of spirit almost in a 420 00:30:59,103 --> 00:31:02,623 positive way you got your suit on 421 00:31:02,623 --> 00:31:06,803 i mean this is this is part of like your lineage and you 422 00:31:06,803 --> 00:31:09,563 sort of become that like you you allow yourself to be 423 00:31:09,563 --> 00:31:12,263 primal in that right and and it 424 00:31:12,263 --> 00:31:17,683 and it and it feels good i'm sure it feels good to just just let it be that 425 00:31:17,683 --> 00:31:25,583 and in a in a place where that is not just accepted but it's almost it's expected 426 00:31:25,583 --> 00:31:31,443 right yeah and and and that's amazing that you get to be a part of that and And so when you guys, 427 00:31:31,923 --> 00:31:35,443 when you do your suit, like, do you think of the theme for your suit each year? 428 00:31:35,483 --> 00:31:39,223 Or is it like a tribal, like you guys come up with a theme and then you can 429 00:31:39,223 --> 00:31:41,983 have your own interpretation of it for each individual suit? 430 00:31:42,763 --> 00:31:46,883 No, it's, it's solely based on you. It's solely based on you. 431 00:31:47,403 --> 00:31:51,783 You kind of, you don't have to stick to like the, the, the roots of, of. 432 00:31:52,777 --> 00:31:56,777 The history, you can pretty much sew whatever kind of suit you want. 433 00:31:57,137 --> 00:32:02,797 You know, and most guys sew suits based on history, which is always a good thing. 434 00:32:03,057 --> 00:32:08,117 Like my big team, Juan, did a 300-year suit, the Centennial suit a few years 435 00:32:08,117 --> 00:32:13,297 ago, you know, it's always about telling the history of the past. 436 00:32:13,737 --> 00:32:16,697 You know, so there'll always be a new suit to make. 437 00:32:16,817 --> 00:32:20,457 It's not like you're going to run out of ideas, which is a pet peeve of mine 438 00:32:20,457 --> 00:32:21,817 with dealing with Indians sometimes. 439 00:32:21,997 --> 00:32:29,017 They think it's all Indians and cowboys, but there's so much history that you can sew on a suit. 440 00:32:29,397 --> 00:32:37,277 You can do a civil rights suit because it's still, as long as you're telling history, it's limited. 441 00:32:39,137 --> 00:32:44,617 I've done a police suit. I've done a I've only left about four suits in. 442 00:32:44,857 --> 00:32:45,997 But I've had a lot before. 443 00:32:47,457 --> 00:32:52,417 And what place has... There's just so much history in New Orleans. 444 00:32:52,557 --> 00:32:55,357 Just right there i mean you know like from the from 445 00:32:55,357 --> 00:32:58,177 the from from the friends were there and 446 00:32:58,177 --> 00:33:02,057 from when the spaniards were there and then from you know the when the 447 00:33:02,057 --> 00:33:05,777 graves that are there you know there's just so much crazy history 448 00:33:05,777 --> 00:33:08,637 and and a lot of it's not like something that you can just go read 449 00:33:08,637 --> 00:33:13,137 somewhere it's it's like the history is almost with the people at this point 450 00:33:13,137 --> 00:33:20,417 so you you mentioned something like kind of your role is you is a spy boy and 451 00:33:20,417 --> 00:33:21,677 i and i've seen the photos of 452 00:33:21,677 --> 00:33:26,317 you where you have a sign and it literally says Spy Boy. What is Spy Boy? 453 00:33:26,997 --> 00:33:33,317 Okay, we all have our own positions in the track. Me, I am pretty much the most 454 00:33:33,317 --> 00:33:36,537 important piece outside of the big chief in the track. 455 00:33:36,897 --> 00:33:43,777 The big chief calls all of the shots, but the Spy Boy is the one who puts his life on the line. 456 00:33:44,237 --> 00:33:49,357 So he has to have as much discernment as a chief because. 457 00:33:50,257 --> 00:33:55,737 Masked and Mardi Gras Indians isn't just a show of suit there are altercations 458 00:33:55,737 --> 00:33:58,417 there are situations that get 459 00:33:58,417 --> 00:34:02,797 rough and we've tried to change Mardi Gras Indians with that narrative but, 460 00:34:03,417 --> 00:34:08,657 Mardi Gras Indians still do fight so as a spy boy I have to when I'm meeting 461 00:34:08,657 --> 00:34:10,877 a trier I have to be able to say, 462 00:34:11,477 --> 00:34:15,377 first of all dance and understand where they're coming from dance and you know 463 00:34:15,377 --> 00:34:19,017 greet them with respect which is a big thing in my book 464 00:34:19,357 --> 00:34:27,077 There's tribes that are disrespectful and disrespect is tolerated very well by everybody. 465 00:34:27,957 --> 00:34:32,557 As a spy boy, I am responsible for protecting my whole tribe. 466 00:34:33,747 --> 00:34:37,107 There's other positions like the Wildman, which he's responsible for protecting 467 00:34:37,107 --> 00:34:38,307 the Chief, the Big Chief. 468 00:34:38,687 --> 00:34:43,607 I'm responsible for everybody because if I get into altercations and I start 469 00:34:43,607 --> 00:34:48,207 fighting, now it's possible everybody else starts fighting. 470 00:34:48,507 --> 00:34:53,587 You know, it's possible that everything could go crazy because I personally 471 00:34:53,587 --> 00:34:56,047 believe, even though we're still masking and showing respect, 472 00:34:56,447 --> 00:35:00,627 there are fights, there are knives, there are guns sometimes. I'm telling you. 473 00:35:00,887 --> 00:35:05,847 So I have to be the one as much as the big sheet to say you know what? This guy's drunk. 474 00:35:06,527 --> 00:35:09,687 He's doing it for the wrong reason. You know, because some people put on a suit 475 00:35:09,687 --> 00:35:15,087 and it's not for, you know, the purpose of paying homage and respect to the ancestors. 476 00:35:15,747 --> 00:35:17,587 So I have to be the one to say, you know what? 477 00:35:18,387 --> 00:35:22,627 I don't want to meet this guy because this guy is drunk. He's high and he's 478 00:35:22,627 --> 00:35:27,287 trying to push me or push to go whatever to say, all right, you know what? 479 00:35:27,567 --> 00:35:29,567 We're not going to meet. Have a great day. 480 00:35:30,367 --> 00:35:35,347 And we have something called two-way populate, which is, it's a cold two-way here. 481 00:35:35,747 --> 00:35:38,467 We're going to go around you. You're not going to meet your two-way populate, 482 00:35:38,627 --> 00:35:42,607 which is a, you know, two-way populate, and our two-way just died. 483 00:35:42,767 --> 00:35:45,807 And that, you know, I have to have the discernment of a chief. 484 00:35:46,667 --> 00:35:50,587 Everybody doesn't have that. But you, as a tribal, I have to have that. 485 00:35:50,687 --> 00:35:54,807 I mean, I say, I put my life on it, because I'm first up, because when meeting 486 00:35:54,807 --> 00:35:58,627 tribes, if I told you, back in the day, most tribes fought. 487 00:35:58,627 --> 00:36:01,407 But you have to be the guy to say you know 488 00:36:01,407 --> 00:36:04,767 what you're not gonna fight you're not gonna let it get out of control because 489 00:36:04,767 --> 00:36:12,567 even in the event of it's too respectable pride we still both built these beautifully 490 00:36:12,567 --> 00:36:17,807 created suits which no two suits are alike and sometimes it can become an ego 491 00:36:17,807 --> 00:36:23,367 battle or you know my suit's better than your suit and then that can get out of hand too suit. 492 00:36:23,847 --> 00:36:27,027 So the spy boy has to be the one with the assignment of, you know what? 493 00:36:27,707 --> 00:36:31,347 Your suit's pretty, but I always think I'm the best in the city. 494 00:36:33,427 --> 00:36:37,107 And we can shake hands, and you know, I have to be able to regulate everything. 495 00:36:37,887 --> 00:36:41,247 Like I said, the big chief, he's kind of in the back with the chief scouts who 496 00:36:41,247 --> 00:36:45,027 taught the children, which I'm regulating two of my children this year as chief scouts. 497 00:36:45,607 --> 00:36:49,167 Like I said, the big chief is the overall seer, and the spy boy, 498 00:36:49,267 --> 00:36:50,927 like I said, I protect everybody. 499 00:36:51,207 --> 00:36:55,067 I make sure everything goes good. I'm the the first out the door you know i 500 00:36:55,067 --> 00:36:58,407 have to be friendly because i have to see all the indians. 501 00:36:59,340 --> 00:37:03,440 And like you say, with tribal things, you never know what's going to happen. 502 00:37:04,320 --> 00:37:09,760 The next position behind me is the flag boy, which is the first of the prettiest in the tribe. 503 00:37:09,940 --> 00:37:13,520 The flag boy holds the flag of our tribe. 504 00:37:13,840 --> 00:37:17,000 And he shows off how beautiful he is in the tribe. 505 00:37:17,400 --> 00:37:21,120 So we got the flag boys, and then it will be the wild men. 506 00:37:21,360 --> 00:37:25,100 The wild men, they work hand in hand with the spy boys. 507 00:37:25,100 --> 00:37:28,540 Those are my two favorite positions of all time because they 508 00:37:28,540 --> 00:37:31,280 have to show assertiveness and they 509 00:37:31,280 --> 00:37:34,080 have to have a protective nature for the tribe 510 00:37:34,080 --> 00:37:41,160 the wild man's job is to control everything going within the tribe i start the 511 00:37:41,160 --> 00:37:44,840 meat off and once i say it's good for the flag and all the rest of the guys 512 00:37:44,840 --> 00:37:48,420 to me then it's up to the wild man to make sure everything doesn't get out of 513 00:37:48,420 --> 00:37:52,660 control and And a wild man's number one job is to protect the chief. 514 00:37:53,100 --> 00:37:59,180 The wild man is the fearless one. Like, don't do anything crazy. 515 00:37:59,860 --> 00:38:02,540 It's like going after the king and queen of England or something. 516 00:38:02,700 --> 00:38:04,380 You know, it's like that level of 517 00:38:04,380 --> 00:38:09,780 respect. You have to have someone who is willing to go the mile for you. 518 00:38:10,280 --> 00:38:15,520 So wild men are pretty much one of my favorite positions between a wild man and a spy boy. 519 00:38:16,380 --> 00:38:19,640 I have to say this. hearing you explain all this 520 00:38:19,640 --> 00:38:22,340 because I'm basically the audience right now and I have to tell you 521 00:38:22,340 --> 00:38:25,280 man I never thought it ran so deep like 522 00:38:25,280 --> 00:38:28,040 that like you're just opening my mind in ways I've 523 00:38:28,040 --> 00:38:32,000 never thought about so thank you for that and if you're a wild man you can't 524 00:38:32,000 --> 00:38:37,460 be you can't be messed up and well I guess you could be but you know you also 525 00:38:37,460 --> 00:38:42,140 can't be you also gotta like probably be in shape in case stuff goes down you 526 00:38:42,140 --> 00:38:45,680 gotta you know hold it down for the chief right, 527 00:38:46,300 --> 00:38:49,100 Look at it like this. The Secret Service or the President. 528 00:38:49,620 --> 00:38:55,400 You have to really be ready for anything at any moment and put your life on 529 00:38:55,400 --> 00:38:58,960 the line because the wild man, you know, their suits are getting more elaborate 530 00:38:58,960 --> 00:39:01,100 as we speak but traditionally the wild man, 531 00:39:01,660 --> 00:39:06,620 he kind of had a suit to let you know I don't care to mess this suit up. You know? 532 00:39:07,520 --> 00:39:11,140 Like, I don't care. We can go the distance. And like I said, 533 00:39:11,220 --> 00:39:14,060 all of these positions all have real significant rules. 534 00:39:14,480 --> 00:39:18,040 You know, Chief scouts are the children, and you have to be queens, 535 00:39:18,160 --> 00:39:19,880 which are more about the beauty. 536 00:39:20,660 --> 00:39:23,920 But when you get to UCS for Mighty Grounds, like I said, we come out early that 537 00:39:23,920 --> 00:39:25,960 morning, but the spy boys are always first. 538 00:39:26,420 --> 00:39:29,560 You have to have the sentiment of the spy boys, make sure everything's good. 539 00:39:29,880 --> 00:39:31,040 Flag boys are beautiful. 540 00:39:31,520 --> 00:39:36,160 They have a gang flag, which some tribes have, which is the leader of the flag 541 00:39:36,160 --> 00:39:40,720 boys, which is the gang flag, which is the prettiest. Then you have the chiefs. 542 00:39:41,300 --> 00:39:44,920 Queens and the chiefs. No, and it was so far apart because... 543 00:39:46,044 --> 00:39:52,204 We have signals. So I might be four or five blocks from my chief. 544 00:39:52,764 --> 00:39:54,524 And I'll shoot a signal like, whoa! 545 00:39:55,144 --> 00:40:01,664 And let him know from five blocks away, sometimes eight blocks away, there's a tribe coming. 546 00:40:02,284 --> 00:40:06,544 And as that tribe approaches, the chief might sit back for eight to ten blocks. 547 00:40:06,744 --> 00:40:10,744 And as we up there, I'm the lonely one. I'm by myself. 548 00:40:12,204 --> 00:40:15,084 You're the canary in the tunnel. You have to be determined now. 549 00:40:15,084 --> 00:40:19,284 Just imagine you're up there by yourself and something goes wrong. 550 00:40:19,404 --> 00:40:20,924 At least everybody else is safe. 551 00:40:22,104 --> 00:40:27,264 So ultimately, I can put my life, not so much my life. We're not killing each 552 00:40:27,264 --> 00:40:29,604 other, but, you know, I can say that all over the place. 553 00:40:31,104 --> 00:40:34,224 I'm in the front and I have to always say, leave me with respect. 554 00:40:35,084 --> 00:40:39,804 A lot of guys out there are being beautiful. And I'm glad we're kind of getting 555 00:40:39,804 --> 00:40:43,604 over the curve of disrespecting each other. And I'm trying to help push that narrative. 556 00:40:44,164 --> 00:40:49,044 You know, I think respect goes a long way with any culture you know, 557 00:40:49,824 --> 00:40:55,164 just me as a spy boy, just imagine if you go into a situation where you're by 558 00:40:55,164 --> 00:40:59,024 yourself and there's a whole group of people, I don't want to go in there with 559 00:40:59,024 --> 00:41:00,364 this monster attitude with, 560 00:41:00,464 --> 00:41:05,364 y'all I'm the best and I'm the prettiest and I'm this and all this arrogance, 561 00:41:05,924 --> 00:41:08,824 so as a spy boy, you know, you have to be smart about it. 562 00:41:09,064 --> 00:41:15,244 For sure great position to run Now what about, okay okay, let me, this is, I'm curious. 563 00:41:15,364 --> 00:41:19,044 So people know, so like people know you, they know you do this. 564 00:41:19,424 --> 00:41:21,924 It, you know, you guys are saying, Hey, we're going to be here. 565 00:41:22,324 --> 00:41:25,624 So people can come in and watch and watch you guys do your thing. 566 00:41:26,164 --> 00:41:29,124 Like what if someone knows you as Eric and they're like, Eric, 567 00:41:29,264 --> 00:41:32,804 yo, I brought you a bottle of water or yo, those guys are messing with you. 568 00:41:32,844 --> 00:41:35,464 I'm going to step in and help you out, but they're not part of the tribe. 569 00:41:35,804 --> 00:41:40,844 Is that, is there like an invisible wall there? Or like, is there interaction or what? 570 00:41:41,744 --> 00:41:46,304 I see everybody who's talking to me, but yes, I'm looking for people who mask. 571 00:41:46,484 --> 00:41:49,544 If you have a suit on, whatever happens, happens. 572 00:41:50,164 --> 00:41:54,444 If you don't have a suit on, you're not allowed to put yourself in it. 573 00:41:54,864 --> 00:41:59,584 Okay. That's kind of where, honestly, a lot of things go wrong. 574 00:41:59,784 --> 00:42:03,024 And we call those guys second liners. Like, you know a second liner? 575 00:42:03,564 --> 00:42:09,264 The second liner at an Indian meet, they have to be in check by the tribe. 576 00:42:09,264 --> 00:42:12,744 You know because you don't want a guy who everybody gets 577 00:42:12,744 --> 00:42:15,644 excited everybody gets excited if i've been walking with 578 00:42:15,644 --> 00:42:18,444 this tribe you know and it could be a girlfriend it 579 00:42:18,444 --> 00:42:21,884 could be a wife a cousin a family member you know of this friend you 580 00:42:21,884 --> 00:42:26,164 have to be like no this is a this is for the people that match because we do 581 00:42:26,164 --> 00:42:30,204 this for you guys we do this for the neighborhood and everybody else but let's 582 00:42:30,204 --> 00:42:34,064 keep it with the guys who are matching because there are rules of engagement 583 00:42:34,064 --> 00:42:40,764 you know there's ways to beat a guy like not physically but. 584 00:42:42,048 --> 00:42:46,348 It's almost like a sport also. So it's not just traveling and meeting. 585 00:42:47,448 --> 00:42:52,228 There's dancing. When I first meet somebody, I'll start dancing for two, 586 00:42:52,328 --> 00:42:54,948 three blocks away. And then we get up close and personal. 587 00:42:55,388 --> 00:42:59,808 We'll do our dance. And it's a competition of the beauty of the suit. 588 00:42:59,888 --> 00:43:03,168 So when I swing back and forth, you see my plumes going back and forth. 589 00:43:03,888 --> 00:43:10,348 And it's like a peacock almost. You're showing off your beauty and your dominance respectfully. 590 00:43:10,708 --> 00:43:16,008 I'm just both beautiful. of them all and and with that you still have to show 591 00:43:16,008 --> 00:43:23,248 this this assertiveness and in the right respectfully peacocking this is what it is right here. 592 00:43:25,168 --> 00:43:30,148 Man new orleans is so great because like what other city in this in the u.s 593 00:43:30,148 --> 00:43:34,408 does anything close to that like there's just nowhere like there's just you 594 00:43:34,408 --> 00:43:40,528 know there's so many festivals and and shows and music and character and one 595 00:43:40,528 --> 00:43:42,688 season just rolls into the next with the next thing. 596 00:43:42,708 --> 00:43:44,968 But there's nothing like this 597 00:43:44,968 --> 00:43:50,088 anywhere, you know, and that's part of what makes New Orleans so great. 598 00:43:50,228 --> 00:43:58,088 And I could talk to you for forever about this, but I do want to get to you and Rebirth. 599 00:43:58,428 --> 00:44:02,928 We talked to Vincent Broussard, the saxophonist, on our last trip, 600 00:44:02,948 --> 00:44:06,428 our last show. So how do you get a spot with Rebirth? 601 00:44:07,168 --> 00:44:13,948 Years and years. You know, just like the horn, Rebirth is the iconic brass band of New Orleans. 602 00:44:14,488 --> 00:44:18,868 They don't admit it, but growing up in New Orleans, everybody loved Rebirth. 603 00:44:19,048 --> 00:44:21,828 You know, they loved Dirty Dozen. They grew up on the Dirty Dozen. 604 00:44:22,388 --> 00:44:25,648 But a certain age bracket, it's really only Rebirth. 605 00:44:25,728 --> 00:44:31,088 Everybody has a Rebirth CD. That was pretty much the first horn CD I had of 606 00:44:31,088 --> 00:44:33,908 just a lot of instrumental horns of New Orleans Brass. 607 00:44:34,008 --> 00:44:37,908 And I had the original Do What You Want Album with Do What You Want, 608 00:44:38,048 --> 00:44:40,208 Leave That Pipe Alone, Mexican Special. 609 00:44:40,728 --> 00:44:42,628 I think that was something. He had a couple of songs on there. 610 00:44:42,928 --> 00:44:48,808 And just having that CD was like an opening to a reverb. 611 00:44:49,348 --> 00:44:52,648 And I was a kid. This was before I even played an instrument. 612 00:44:52,768 --> 00:44:55,948 Before I thought about going brass band. so over the years rebirth 613 00:44:55,948 --> 00:44:59,808 has dropped 17 albums growing 614 00:44:59,808 --> 00:45:05,148 up they've always been the staple of brass band in the community so i just kind 615 00:45:05,148 --> 00:45:08,608 of worked my way up from like the little band like the true brass band and i 616 00:45:08,608 --> 00:45:12,468 got to the new birth which is like cousins of them and i went to the brass band 617 00:45:12,468 --> 00:45:16,988 which is an amazing journey the students brass band taught me how to be a lead trumpet. 618 00:45:17,967 --> 00:45:20,627 They said back, I was like, you're young, but you are the lead. 619 00:45:20,727 --> 00:45:25,907 So at 19 years old, I was leading the Stooges. And that was pretty much my first big thing. 620 00:45:26,527 --> 00:45:31,247 From the Stooges, I got with TBC, and we developed some music from there, 621 00:45:31,267 --> 00:45:32,467 The Truth, and then Big Six. 622 00:45:33,147 --> 00:45:38,627 As I was with Big Six, Cliff, the prover player, and the leader of the Big Six, 623 00:45:38,727 --> 00:45:42,807 started playing with Rebirth after Phil had his stroke, I think his second stroke. 624 00:45:43,107 --> 00:45:46,147 And Phil was like, you know, let's call it Cliff. let's 625 00:45:46,147 --> 00:45:48,967 talk to them and so he made it happen 626 00:45:48,967 --> 00:45:51,807 you know and from then one of my good 627 00:45:51,807 --> 00:45:55,007 good longtime friends the trumpet player of rebert with the 628 00:45:55,007 --> 00:46:02,067 chad allery chad quentin as he goes by his name he went solo uh actually last 629 00:46:02,067 --> 00:46:08,607 year on january 1st he went solo and the guys they called me up and i guess 630 00:46:08,607 --> 00:46:12,747 he's a good friend of mine me and chad has been a long time riding so So we 631 00:46:12,747 --> 00:46:13,667 talked about a lot of stuff, 632 00:46:13,807 --> 00:46:16,767 like, from middle school, like, 12 years old, that's when I met Chad. 633 00:46:16,987 --> 00:46:19,567 And Chad is a great trumpet player. 634 00:46:20,347 --> 00:46:23,707 I don't really tell him in person, and I won't tell him in person. Don't feel bad. 635 00:46:24,987 --> 00:46:26,467 We won't let him do that. 636 00:46:30,447 --> 00:46:35,647 Chad went to school with, like, Trombone Shorty, Chris Roy. You know, 637 00:46:35,647 --> 00:46:37,587 like, he went to school with, like, elementary. a mentor. 638 00:46:38,147 --> 00:46:42,587 When I met him in middle school, he was already so talented. 639 00:46:43,867 --> 00:46:47,807 Just think about how talented Trombone Shorty and a lot of these cats are. 640 00:46:48,267 --> 00:46:52,927 So I took to me with Chad and he's a great guy, a great trumpet player. 641 00:46:53,127 --> 00:46:57,207 Like I said, he left Rebirth last year and I was looking around and they gave 642 00:46:57,207 --> 00:46:58,747 me a call and I'm like, okay, yeah. 643 00:46:59,367 --> 00:47:04,427 Mm-hmm, yeah. So I thought of musicals, I'm pretty much living the dream. 644 00:47:04,427 --> 00:47:10,447 Like so that's just the funk band I've always wanted to be with and Rebirth 645 00:47:10,447 --> 00:47:13,027 is the brand that I've always wanted to be with and it's like, 646 00:47:13,997 --> 00:47:14,557 Mind blown. 647 00:47:16,617 --> 00:47:21,037 It's a journey. It's an unbelievable experience because literally these are 648 00:47:21,037 --> 00:47:26,657 the best two bands out of New Orleans that I can think of because everybody comes from them. 649 00:47:26,717 --> 00:47:35,157 If you want to funk style of the music, the revivalists, Trombone Short, it's a long list of guys. 650 00:47:35,317 --> 00:47:39,897 My name is John Michael, Jada Cosmich, all these guys come from the lake. 651 00:47:39,897 --> 00:47:46,377 And then Soon as High Day Little Rascals Big Six all of these guys come from 652 00:47:46,377 --> 00:47:50,837 the Rebirth so to be playing with both of these bands is definitely an experience 653 00:47:50,837 --> 00:47:57,517 and I love it I love it you know not to be too loud but it's the dream for me because. 654 00:47:58,757 --> 00:48:03,757 It's life so I try to put my best foot forward playing every time I play you 655 00:48:03,757 --> 00:48:08,897 know I feel like I could be better because these are the legendary bands in 656 00:48:08,897 --> 00:48:12,137 the city I mean, yeah, you've got it covered. 657 00:48:12,297 --> 00:48:18,457 And, you know, I feel like you can probably feel that you went into all of this 658 00:48:18,457 --> 00:48:21,217 with the right intention, with respect. 659 00:48:21,737 --> 00:48:25,917 You really care about what you do. You're also really good at what you do. 660 00:48:25,917 --> 00:48:30,157 But even just the way that you talk about, you know, the Mardi Gras, 661 00:48:30,177 --> 00:48:34,977 the Indians and how much space you give of your life for that, 662 00:48:35,057 --> 00:48:37,877 I feel like you've given the same for your music. 663 00:48:38,057 --> 00:48:42,637 And that's why these doors have opened up for you. And you're a nice, genuine person. 664 00:48:43,377 --> 00:48:48,197 And, you know, you deserve everything that you have. 665 00:48:48,197 --> 00:48:51,377 And I hope you feel that too, because, you know, I, 666 00:48:51,477 --> 00:48:56,277 I've, I respect you just from watching you play, from seeing the videos of you 667 00:48:56,277 --> 00:49:01,657 doing, doing the Mardi Gras Indians and just how much you're willing to share 668 00:49:01,657 --> 00:49:04,117 because, you know, I don't live in Louisiana. 669 00:49:04,237 --> 00:49:09,617 I don't live in New Orleans anymore, but you're willing to share your story with everyone. 670 00:49:09,677 --> 00:49:13,357 And I think it inspires other people to feel okay to do that, 671 00:49:13,397 --> 00:49:17,177 that, and, and, and to have that same outlook on life, you know? 672 00:49:17,177 --> 00:49:23,497 If there is a way to win at life, Eric, you're winning at life. 673 00:49:25,717 --> 00:49:26,977 It's been a long road. 674 00:49:31,897 --> 00:49:36,557 What's the big difference? 675 00:49:36,757 --> 00:49:43,237 What's the main difference of playing with Rebirth or with Big Six, which is so swingy? 676 00:49:43,237 --> 00:49:48,037 And like if so I don't know there's probably another word that I'm blanking 677 00:49:48,037 --> 00:49:53,557 on and then with with Galactic it's a little more controlled like is that the 678 00:49:53,557 --> 00:49:57,957 biggest difference of playing with those two bands essentially I, 679 00:49:59,522 --> 00:50:03,542 Outside of the song selection, no, to me personally, it's not really a big difference 680 00:50:03,542 --> 00:50:08,642 because I didn't want to bring my own flavor into all this. That's what they all like. 681 00:50:08,842 --> 00:50:11,082 It's like cooking with rice. 682 00:50:11,502 --> 00:50:14,782 You know, sometimes you have jambalaya, sometimes you have red beans, 683 00:50:14,882 --> 00:50:18,422 sometimes you have dirty rice, creole. 684 00:50:19,422 --> 00:50:24,502 A lot of stuff is being able to make the dish better. 685 00:50:25,002 --> 00:50:27,922 You know, it's short. you know I kind of 686 00:50:27,922 --> 00:50:30,902 try to bring my own flavor every time you know I'm still 687 00:50:30,902 --> 00:50:33,642 the same individual so my style is my style of 688 00:50:33,642 --> 00:50:36,502 playing and I'm pretty much like that Louis 689 00:50:36,502 --> 00:50:41,622 Armstrong New Orleans style of trumpet playing but essentially I try to just 690 00:50:41,622 --> 00:50:45,062 bring it every time you know it's not so much about the music it's just about 691 00:50:45,062 --> 00:50:50,042 the feeling because there's jazz cats that'll play a thousand notes and nobody 692 00:50:50,042 --> 00:50:54,022 felt it but sometimes you'll catch a solo of me playing one note and I'm going. 693 00:50:56,002 --> 00:50:58,882 You know and people will feel that and they'll 694 00:50:58,882 --> 00:51:02,902 be like yeah yeah yeah it's 695 00:51:02,902 --> 00:51:05,902 more about a feeling i try to bring that that feeling that that love 696 00:51:05,902 --> 00:51:10,522 even in all my schools you'll see me having a good time i can't you know it's 697 00:51:10,522 --> 00:51:17,022 a blessing in itself to be able to perform on stage you know oh yeah so yeah 698 00:51:17,022 --> 00:51:21,582 it's a feeling definitely a feeling not not to try to separate the two it's 699 00:51:21,582 --> 00:51:23,342 always a good vibe between, 700 00:51:23,582 --> 00:51:29,162 no matter, because I do gospel sometimes, and it's all about what you're doing. 701 00:51:29,382 --> 00:51:32,602 All you're smiling, all you're happy while doing it, because if you're not happy 702 00:51:32,602 --> 00:51:34,502 while doing it, just don't do it. 703 00:51:35,162 --> 00:51:38,702 Yeah, and people are going to see that, too. It's going to come off as that. 704 00:51:39,602 --> 00:51:42,682 And that's another thing about New Orleans that's so great is. 705 00:51:43,642 --> 00:51:48,042 Is, is the, is the feel right. Of like watching that music, you know, 706 00:51:48,042 --> 00:51:51,562 like I watch, I watch other jazz bands, even when they're covering rebirth, 707 00:51:51,682 --> 00:51:55,302 you know, from Chicago or from North Carolina, where I'm at right now. 708 00:51:55,302 --> 00:51:58,382 And like, there's just the different feel when you're watching, 709 00:51:58,382 --> 00:52:02,282 when you've seen live new Orleans jazz and uncle dad, I mean, 710 00:52:02,302 --> 00:52:09,162 I know you can agree because uncle jazz, uncle jazz, uncle dad's seen you guys play too. 711 00:52:09,322 --> 00:52:13,202 And I, and I've seen, you know, I've seen him light up watching you guys play. 712 00:52:13,762 --> 00:52:16,302 Oh, it's incredible. It's one of the greatest experiences ever. 713 00:52:16,682 --> 00:52:19,562 I think like, you know, I've been to like Jazz Fest in the past. 714 00:52:19,602 --> 00:52:23,942 And whenever I see a NOLA act in town, I'm in the Bay Area. 715 00:52:24,222 --> 00:52:28,822 And so whenever I see a NOLA act, I have to be there because we just don't get 716 00:52:28,822 --> 00:52:31,822 that. You know what I mean? It's such a unique, beautiful experience. 717 00:52:32,042 --> 00:52:33,782 Like I'm a, you know, like Soul Rebels I love. 718 00:52:34,042 --> 00:52:37,662 And so when Soul Rebels are out here, I have to see them, you know, it's just something. 719 00:52:38,602 --> 00:52:42,342 If you could bottle that energy and hand that out, I think the world would be 720 00:52:42,342 --> 00:52:44,342 a better place. Let me tell you. be a better place. 721 00:52:45,522 --> 00:52:48,902 That means coming out to the show at the Fillmore. I hope to see you. 722 00:52:49,522 --> 00:52:52,862 Oh, yeah. That's right. Yeah. I will go. I am going to go. 723 00:52:54,922 --> 00:52:58,242 I'll be waiting for you. I'll be there. I'll be there on the set. 724 00:52:58,502 --> 00:53:00,482 Just look for the short little fat Mexican kid. 725 00:53:02,662 --> 00:53:06,262 I think you were making him hungry with all your rice dish analogies, 726 00:53:06,262 --> 00:53:10,522 too, right? I love me some jambalaya, let me tell you. 727 00:53:12,062 --> 00:53:16,682 All right, Eric. Eric, real quick, I'm going to shoot these at you real quick before we go. 728 00:53:17,968 --> 00:53:22,528 And I just want to, you know, quick answer. Favorite music venue to play at 729 00:53:22,528 --> 00:53:24,488 other than Tipitina's in New Orleans? 730 00:53:26,408 --> 00:53:30,488 Stumped him. Oh, Blue Nile on purpose. 731 00:53:31,228 --> 00:53:33,888 Blue Nile. Blue Nile's a great one. Blue Nile's a great place. 732 00:53:34,788 --> 00:53:36,168 I love the name. Oh, yeah. 733 00:53:37,108 --> 00:53:41,348 Blue Nile's my favorite. Yeah, Blue Nile's amazing. Okay, what's your, 734 00:53:41,428 --> 00:53:44,848 what's just your favorite bar in New Orleans? Oh, well, Hank's. 735 00:53:46,028 --> 00:53:55,488 What's that? Hank's. thank you okay favorite place to get a meal, 736 00:53:57,288 --> 00:54:01,548 these are the tough questions these are tough, 737 00:54:03,948 --> 00:54:12,968 like little disney little disney was amazing um but a lot of the smaller stores like the manchus, 738 00:54:13,768 --> 00:54:19,788 the VNC you know those spots are amazing and uh Prowl Ease is a good spot too 739 00:54:19,788 --> 00:54:23,288 Prowl Ease Prowl Ease okay. 740 00:54:24,488 --> 00:54:28,028 Alright what if you just wanted to go out and go dancing like you're not playing 741 00:54:28,028 --> 00:54:33,008 you just want to be a guy enjoying the music or can you do that like are you 742 00:54:33,008 --> 00:54:37,708 able to go watch a show and just and enjoy the show and not feel like you gotta 743 00:54:37,708 --> 00:54:38,808 get up there and start playing, 744 00:54:39,348 --> 00:54:44,488 yeah I would do Blue Now for that yeah Blue Nine and a lot of Hole in the Wall 745 00:54:44,488 --> 00:54:49,548 once you had Celebration Hall which is the hall not in the ballroom but Celebration 746 00:54:49,548 --> 00:54:53,288 Hall always has you know and the jump ball, 747 00:54:53,808 --> 00:54:58,188 currently the jump ball is like the new hot spot to catch a band and you know just go fly, 748 00:54:58,848 --> 00:55:03,568 jump ball okay alright last one where would you go watch a Saints game Kermit 749 00:55:03,568 --> 00:55:05,568 oh yeah Kermit Russell's Mother-in-law, 750 00:55:06,228 --> 00:55:12,688 okay and Kermit always has a vibe you know Kermit has a band also on Sunday Hammond says like. 751 00:55:13,674 --> 00:55:16,714 It's under Kato's camera, mother-in-law. Just such a vibe. 752 00:55:16,954 --> 00:55:24,374 It's so nostalgic. It has this seventies, eighties vibe with the murals and the paintings. 753 00:55:24,694 --> 00:55:28,794 And it's just old school. You know, sometimes you want to chill where the people 754 00:55:28,794 --> 00:55:30,914 are good. Well, somebody knows your name. 755 00:55:31,854 --> 00:55:37,374 Okay. All right. Yeah. Yeah. That place is always on my list to go. 756 00:55:37,514 --> 00:55:41,274 And I just, I just never ended up making it there because there's a million 757 00:55:41,274 --> 00:55:43,334 other things in the way. Right. 758 00:55:44,254 --> 00:55:47,794 Kermit owns the place he's always 759 00:55:47,794 --> 00:55:50,514 there and that's the thing about Kermit he's 760 00:55:50,514 --> 00:55:53,394 such a great spirit if you walk in Kermit's mother's 761 00:55:53,394 --> 00:55:56,074 house he's liable to be sitting at the 762 00:55:56,074 --> 00:55:59,034 bar drinking a beer drinking a bud like 763 00:55:59,034 --> 00:56:03,954 with his trumpet hanging right behind him and sometimes the band will play he'll 764 00:56:03,954 --> 00:56:08,374 just pick up the trumpet and start playing he genuinely loves that place and 765 00:56:08,374 --> 00:56:12,474 that's the energy that you get you'll see Jelly Ali singing at that that sometimes 766 00:56:12,474 --> 00:56:17,934 you run across like a bunch of the artists that's in there because it's such a chill, 767 00:56:18,594 --> 00:56:20,214 really vibe, second line show. 768 00:56:20,394 --> 00:56:22,814 It's a lot of people just going there just to hang, you know? 769 00:56:23,434 --> 00:56:26,634 Yeah. Sometimes you go, it's about who you are. Hey, hey, hey. 770 00:56:26,634 --> 00:56:28,194 But in time, it's just kind of like, 771 00:56:29,068 --> 00:56:32,628 Everybody's just playing, you know? Yeah. No, I love that. I love that. 772 00:56:33,008 --> 00:56:35,988 Well, Eric, thank you so much. Everyone. 773 00:56:36,848 --> 00:56:40,888 Mardi Gras at Tipitina's. I know you guys are playing there Saturday the 10th 774 00:56:40,888 --> 00:56:45,848 and also is it Mardi Gras night? Well, we're in the 10th. 775 00:56:47,228 --> 00:56:51,448 What's that? Say that again. February 3rd and the 10th. We're playing there. 776 00:56:51,508 --> 00:56:58,688 Third and the 10th. And then you will also be Mardi Gras morning as a golden 777 00:56:58,688 --> 00:57:02,228 Comanche, as the spy boy. Golden Comanche. Spy boy. There you go. 778 00:57:03,128 --> 00:57:05,688 I don't know my name. Hey. 779 00:57:06,948 --> 00:57:14,288 Spy boy. Look at that. Spy boy. And we're going to put this out on our Instagram, 780 00:57:14,628 --> 00:57:16,748 you know, pictures so everyone can see. 781 00:57:16,748 --> 00:57:23,408 Even if this video does come out so people can see what you put together, man, it's beautiful. 782 00:57:23,768 --> 00:57:28,148 It's very beautiful, for sure. I do have one last question, Mike. I got to ask him. 783 00:57:28,788 --> 00:57:32,908 It is very important because when this comes out, it'll be right around that time. 784 00:57:34,068 --> 00:57:39,488 Here we go. Who is going to win the Super Bowl? There's one right answer. 785 00:57:41,008 --> 00:57:46,368 There's one right answer. I'm not giving you. No, you're not going to give me anything? 786 00:57:48,908 --> 00:57:53,748 See hey hey he doesn't care who's gonna win the super bowl is mardi gras time. 787 00:58:01,128 --> 00:58:09,008 Audience i tried who that uh eric where can uh where can our listeners find 788 00:58:09,008 --> 00:58:14,648 you if if on social media or on website or how do they find out where you're gonna be, 789 00:58:15,601 --> 00:58:21,221 I'll go by I Am Eric Gordon. Simple enough. I just spell street. I Am Eric Gordon. 790 00:58:21,801 --> 00:58:25,901 All social platforms, you know, Facebook, Instagram, whatever. 791 00:58:26,601 --> 00:58:30,281 If you want to search some music, I have some songs under I Am Eric Gordon. 792 00:58:30,281 --> 00:58:34,581 I just put out a new one last week called Province Prince for the Zulu, 793 00:58:35,221 --> 00:58:37,661 which, you know, the Zulu Parade is coming up on Mighty Drive Day. 794 00:58:37,701 --> 00:58:40,041 So the Province Prince, they are a crew in the Zulu. 795 00:58:40,541 --> 00:58:43,861 We dropped one for them. I have a song called Down in New Orleans, 796 00:58:43,921 --> 00:58:45,381 which is one of my favorite songs. 797 00:58:45,841 --> 00:58:49,261 Definitely suggest checking out. I am Eric Gordon, Down in New Orleans. 798 00:58:49,341 --> 00:58:52,361 I'm featuring Lou and all these and Angelica Jolie-Joseph. 799 00:58:52,541 --> 00:58:55,981 But I am Eric Gordon across the music platforms, across everything. 800 00:58:56,441 --> 00:59:00,241 You know, and out there you'll be able to be birthday singers. I like to be so. 801 00:59:01,001 --> 00:59:04,281 All right. I am Eric Gordon. 802 00:59:04,581 --> 00:59:08,301 And Eric, I am Mike Hampton. 803 00:59:08,361 --> 00:59:13,321 And this is Uncle Dad. And thank you so much for coming on here and sharing 804 00:59:13,321 --> 00:59:15,821 all that you share with us, man. It's really special. 805 00:59:15,901 --> 00:59:18,081 And I can't wait to see you down there. 806 00:59:18,701 --> 00:59:21,861 Yeah, it's going to be a special day. I'll see y'all there with the tambourine. 807 00:59:22,441 --> 00:59:24,261 Everybody come and bring your tambourines. 808 00:59:25,181 --> 00:59:26,201 I'll get a tambourine. 809 00:59:27,561 --> 00:59:30,361 You need a tambourine. I'll get you a tambourine. 810 00:59:33,981 --> 00:59:37,001 Right on. okay and and i 811 00:59:37,001 --> 00:59:39,801 guess that's going to be it for for uh for now right uncle 812 00:59:39,801 --> 00:59:44,081 dad uh that is but mike it's you're running the show so you got to say the trademark 813 00:59:44,081 --> 00:59:48,821 line before we wrap up oh that's right oh yeah eric and for everyone listening 814 00:59:48,821 --> 00:59:52,681 we're not uncles we're not dads we're just someone you can talk to and we will 815 00:59:52,681 --> 00:59:58,401 see you all next week well done mike yeah all right.